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#BOSTON OPERA HOUSE RUSH TICKETS UPGRADE#If you would like to upgrade your seats, you will be charged the difference between your new and original tickets. We’re happy to exchange your ticket for any ticket of equal value to any performance remaining in the subscription season. Handel and Haydn Society Youth Choruses.Our Commitment to Diversity, Equity, Inclusion, and Access.The Dutch Masters of Music and Art, Volume 2. ![]() The Complete Bach Brandenburg Concertos. #BOSTON OPERA HOUSE RUSH TICKETS TV#Martyna is currently writing a musical adaptation of The Great Gatsby, with music by Florence Welch and Thomas Bartlett, and developing TV and film for HBO, Plan B, and Pastel. She was a 2012-2013 NNPN playwright-in-residence, the 2015-2016 PoNY Fellow at the Lark Play Development Center, and a 2018-2019 Hodder Fellow at Princeton University. Martyna studied at Yale School of Drama, Juilliard, University of Chicago, and Jersey public schools. Awards include The Academy of Arts and Letters’ Benjamin Hadley Danks Award for Exceptional Playwriting, The Lucille Lortel Award for Outstanding New Play, The Greenfield Prize, as the first female recipient in drama, The Champions of Change Award from the NYC Mayor’s Office, The Francesca Primus Prize, two Jane Chambers Playwriting Awards, The Lanford Wilson Prize, The Lilly Award’s Stacey Mindich Prize, Helen Merrill Emerging Playwright Award, Charles MacArthur Award for Outstanding Original New Play from The Helen Hayes Awards, Jean Kennedy Smith Playwriting Award, ANPF Women’s Invitational Prize, David Calicchio Prize, Global Age Project Prize, NYTW 2050 Fellowship, NNPN Smith Prize for Political Playwriting, and Merage Foundation Fellowship for The American Dream. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. She was awarded the 2018 Pulitzer Prize for Drama for her play, Cost of Living. Martyna Majok was born in Bytom, Poland and raised in Jersey and Chicago. Editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). Outer Critics Circle Award nomination for Cost of Living. Audelco Award for Father Comes Home from the Wars. She is the recipient of two Obie Awards for Sustained Excellence of Direction, Lucille Lortel Best Musical and Lucille Lortel Best Revival, Drama Desk nomination for Direction of By the Way, Meet Vera Stark, and Alliance and Lilly Award. Productions of plays by: Caryl Churchill, Nilo Cruz, Anna Deavere Smith, Charles Fuller, Lisa Loomer, Paul Lucas, Carey Perloff, Lanford Wilson. Jo Bonney has directed premieres of plays by: Alan Ball, Hilary Bettis, Eric Bogosian, Eleanor Burgess, Hammaad Chaudry, Culture Clash, Eve Ensler, Jessica Goldberg, Isaac Gomez, Danny Hoch, Ione Patricia Lloyd, Neil LaBute, Warren Leight, Martyna Majok, Lynn Nottage, Dan O’Brien, Dael Orlandersmith, Suzan-Lori Parks, Darci Picoult, John Pollono, Will Power, David Rabe, Jose Rivera, Seth Zvi Rosenfeld, Christopher Shinn, Diana Son, Universes, Naomi Wallace, Michael Weller. She can currently be seen on the HBO Max original “The Staircase.” She also appeared in four seasons of MTV’s “Girl Code.” Her many other stage credits include Halfway Bitches Go Straight to Heaven, The New Englanders, The Revolving Cycles Truly and Steadily Roll’d, Syncing Ink, and Pretty Hunger. Before the pandemic, Kara was starring in the MCC Theater’s All The Natalie Portmans, for which she received a Lucille Lortel Award nomination. Prior to this, she appeared in HBO’s “Random Acts of Flyness” and Netflix’s “The Punisher.” She also starred in Hair Wolf, the winner of the Sundance 2018 Short Film Jury Awards: US Fiction. Young can previously be seen in the Amazon feature Chemical Hearts alongside Lilli Reinhart and Austin Abrams. #BOSTON OPERA HOUSE RUSH TICKETS SERIES#She will next appear as a series regular in “I’m A Virgo” for Amazon, created by Boots Riley. The New York Times called her performance “quick witted” and The Hollywood Reporter hailed her as “outstanding.” She recently received the inaugural Florence Mills Rising Star Awards at the first ever Black Women on Broadway ceremony. Kara Young made her Broadway debut in Lynn Nottage’s Clyde’s for which she received a Tony nomination for Best Performance by an Actress in a Featured Role in a Play. ![]()
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